Rilke’s “The Man Watching”

Less than an hour until President Bush’s national address, and I’m too tired, too frustrated, and too stunned to think. I know that there’s not much lower on the blog food chain than posting a poem without comment, but, well, a friend sent this to me today, and it’s been a source of welcomed comfort. And besides, great poetry speaks for itself.

The Man Watching
by Rainer Maria Rilke

I can tell by the way the trees beat, after
so many dull days, on my worried windowpanes
that a storm is coming,
and I hear the far-off fields say things
I can’t bear without a friend,
I can’t love without a sister

The storm, the shifter of shapes, drives on
across the woods and across time,
and the world looks as if it had no age:
the landscape like a line in the psalm book,
is seriousness and weight and eternity.

What we choose to fight is so tiny!
What fights us is so great!
If only we would let ourselves be dominated
as things do by some immense storm,
we would become strong too, and not need names.

When we win it’s with small things,
and the triumph itself makes us small.
What is extraordinary and eternal
does not want to be bent by us.
I mean the Angel who appeared
to the wrestlers of the Old Testament:
when the wrestler’s sinews
grew long like metal strings,
he felt them under his fingers
like chords of deep music.

Whoever was beaten by this Angel
(who often simply declined the fight)
went away proud and strengthened
and great from that harsh hand,
that kneaded him as if to change his shape.
Winning does not tempt that man.
This is how he grows: by being defeated, decisively,
by constantly greater beings.

Okay, one comment . . . I’ll never write a line this good:

the landscape like a line in the psalm book,
is seriousness and weight and eternity.

Read it out loud. There is so much dramatic force in those three nouns. The stanza, up until that point, is almost romantic — filled with images of a storm and a mythical landscape. But then you hit the word “seriousness,” and the tone, even the tempo of the line changes. The light, fluid reading is brought to a halt, and we’re forced to confront those words, individually and in relation to one another: “seriousness and weight and eternity.”

A perfect poem for today, I think.


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