Further Questions for Hou Hsiao-hsien
This interview was originally published at Mubi. I collaborated on this piece with Daniel Kasman.
2007 TIFF Days 1 and 2
Marjane Satrapi’s Persepolis, Wang Bing’s Fengming, A Chinese Memoir, Hou Hsiao-hsien’s Le Voyage du Ballon Rouge, Peter Hutton’s At Sea, and Sandra Kogut’s Mutum.
Good Men, Good Women (1995)
The first cut in Good Men, Good Women establishes several dichotomies that, over the next 100 minutes, are beautifully dismantled for explicitly political purposes.