TIFF 2012 – Day 4
Like Someone in Love (Kiarostami), Far from Vietnam, Tower (Radwanski), and August and After (Dorsky).
Pedro Costa’s “Vanda Trilogy” and the Limits of Narrative Cinema as a Contemplative Art
This essay was originally published in Faith and Spirituality in Masters of World Cinema (2008), edited by Kenneth Morefield for Cambridge Scholars Publishing.
Faith and Film
After reading about it for the past few months, I found a copy of The Hidden God: Film and Faith on the new releases shelf of the university library during my lunch break today. Given the sensational coverage of film and faith in recent weeks, this collection of short essays is a breath of fresh air.