But the adaptation of a written text to film also necessarily foregrounds the authority of images, imposing specificity on what an author might have chosen to describe more generally. I was surprised, for example, to find myself suddenly moved by an image of the small boxes in which Faunia stores the ashes of her dead children. In the novel, surprisingly little emphasis is placed on the ashes; Roth does not make of them an excuse for one of his patented ten-page diversions.
So, this is kind of exciting. My copy of Philip Roth: New Perspectives on an American Author just arrived, hot off the proverbial press. My article, “The ‘Written World’ of Philip Roth’s Nonfiction,” is the 17th and final chapter in what I believe is the first book-length study of Roth’s entire body of work, up to and including The Plot Against America. Pretty cool. My first book chapter.