Tag: Author: Melville

  • Beau Travail (2000)

    Whereas post-colonial critics have, in turn, criticized/praised Melville for his appropriation of racist stereotypes (or his subversion of those stereotypes, depending on which side of the debate each critic stands), Denis situates Melville’s moral dilemma in an explicitly post-colonial situation, complicating further the relationships between European and African, Christian and Muslim, and calling into question the political value and motivations underlying those relationships.

  • Benito Cereno (1855)

    Benito Cereno (1855)

    As Mike Frank has recently asked, “What might narratology look like if we were to take cinema — particularly ‘classical Hollywood cinema’ — as the paradigmatic instance of storytelling?”