Region: England

TIFF 2012 – Day 6

Dormant Beauty (Bellocchio), Something in the Air (Assayas), Berberian Sound Studio (Strickland), Nights with Theodore (Betbeder), and The Last Time I Saw Macao (Rodrigues and Guerra da Mata).

TIFF 2012 – Day 2

Barbara (Petzold), Mekong Hotel (Apitchatpong), Big in Vietnam (Diop), Sightseers (Wheatley), Student (Omirbayev), and Wavelengths 1.

2009 SFIFF Diary 3

Petter Greenaway’s Rembrandt’s J’Accuse and The Other One by Patrick Mario Bernard and Pierre Trividic.

Films of the ’80s (part 1)

Short responses to films by Maurice Pialat, William Friedkin, Louis Malle, Paul Schrader, Nicolas Roeg, Mike Leigh, and Michel Deville.

Birth (2004)

Anna so quickly and so easily falls in love with the young Sean not because he’s a manifestation of her dead husband but because he so effortlessly performs a role that is wholly the work of Anna’s imagination. She has conjured an idealized version of Sean through the magical incantation of her love letters.

Welcome to Sarajevo (1997)

When I was aware of Winterbottom’s mise-en-scene at all, I was frustrated by its haphazardness — odd cuts are scotchtaped together by forced music cues, the camera jumps too often into the subjective perspective of unimportant characters (an after-the-fact narrative justification for Winterbottom’s use of a hand-held, I suspect), and the central story gets lost in the noise of several side-plots.

9 Songs (2004)

“It’s claustrophobia and agoraphobia in the same place, like two people in a bed.” Matt (Kieran O’Brien) delivers this line in voice-over after the fact — after his ex-girlfriend Lisa (Margot Stilley) has returned home to America and after he has returned to Antarctica, where he is researching glaciers.

My Summer of Love

My Summer of Love received a lot of “buzz,” as they say, in Toronto, and I would guess that most of it was generated by Press’s performance, which is a lot of fun to watch.

Patrick Marber

I spent last evening — which, like tonight, was cold and rainy — wrapped up on our living room love seat, reading two fantastic plays by a young British writer named Patrick Marber.