Here’s an odd clip I just stumbled upon. I witnessed that exact event after stepping out of a film at TIFF this year. It was in the Paramount Theater, at the top of the long escalators. And now I no longer need to remember it. My memory has been captured, uploaded, tagged with metadata, and stored safely away, where it can be retrieved immediately — by anyone. And I played no part in the process.
I had two main goals this time out. First, I wanted to return to the conventional blog format. As I said in my announcement of the last redesign, the widescreen format was an experiment — a usability study, really. And what I discovered was . . . it wasn’t as usable. Second, and more importantly, I wanted to stretch my CSS skills a bit.
“If cinema is merely an imposition of ideology, then, as a field of study, it is both a bore and a chore. There was a brief moment in my life when I viewed cinema solely through the lens of post-structuralism, but I realized that it was jeopardizing my love for the art. Call me naive, but I believe cinema, like other artforms, can still offer aesthetic experiences worthy of the search.” — EJ Park
I chased a link and ended up discovering a fascinating community of academic bloggers, most of whom are like me — insiders with an outsider’s (slightly disgruntled) perspective. If you’re considering graduate school, read the links on the right side of Invisible Adjunct before making any rash decision.
Today’s issue of the Chronicle of Higher Education features an interview with Alan Lightman, a professor of physics and the humanities at M.I.T. Lightman recently edited a collection of essays, Living With the Genie, in which various authors examine the effects of technology (both good and bad) on our lives.