Here’s a quick breakdown of what I saw, more or less in order of preference. I’m never sure how to handle the Wavelengths shorts, so I’ve included several of them that I thought were especially strong and arbitrarily omitted others. Wavelengths was, without question, the highlight of TIFF for me this year.
I’ve developed a lazy habit of saying that I don’t particularly care what a film is about; I care what it does formally. But, while well-directed and wonderfully performed, the standout feature of Gotz Spielmann’s Revanche is the story, which, particularly over the last 80 minutes, is perfectly constructed.
The Toronto International Film Festival is always the most highly anticipated week-and-a-half of my year, but this time around my eagerness to go watch movies, hang out with friends, and wander around a great city is being trumped by the more basic and urgent need for a vacation. I’m deep-down-in-the-bones tired and I can’t wait to get away and be a different version of myself for 11 days. When I got home last year, I told Joanna that Toronto has become my mistress. I’ll stand by that metaphor.