My goal in Toronto each year is pretty simple. I typically see about 30 films at the fest, and if I choose the right 30 then for the next twelve months I get to participate in the larger critical conversation about contemporary world cinema, despite living in a midsized city in East Tennessee.
I shelved Long Pauses in 2010, soon after my daughter was born, because, frankly, the web had become boring.
The next issue of UT’s alumni magazine, The Torchbearer, will feature Joanna, so I used the photo shoot as an excuse to play with our new Panasonic GH2.
In the nine years since I first read Denise Levertov’s poem “Making Peace” and pulled the words “long pauses . . .” from it, I’ve bought and sold two houses, changed jobs three times, and launched a freelance business. I’ve attended nearly a dozen film festivals, interviewed several of my heroes, and developed lifelong friendships […]
The variety of communications tools would be overwhelming but for the fact that my friends and I are engaged in what is essentially a single, extended conversation. It’s all come to feel perfectly natural.
Reading Cormac McCarthy’s Suttree last year changed my relationship with Knoxville. There’s more poetry here now, and more grime and ash. Suttree’s one of the main reasons I no longer blink before calling Knoxville my home town, even though I’ve only lived here for just over a decade.
And, seriously, she really needs to stop using “elite” as a pejorative — first because it degrades language (if “elite” doesn’t necessarily describe the most powerful office in the world, then it no longer means “elite”), and second because SHE LIVED IN THE WHITE HOUSE FOR EIGHT YEARS. Her efforts to exclude herself from “the elite” is an embarrassment to her intelligence and experience.
Oh, how I love Shorpy, “The 100-Year-Old Photo Blog.” The photo above was taken by Dorothy Lange for the Farm Security Administration in November 1936. The caption reads: “Daughter of migrant Tennessee coal miner. Living in American River camp near Sacramento, California.” I need to learn more about Lange. How did photos like this happen? How much posing and staging was involved? What kind of camera and film did she use?